Introduction:
Buchi Emecheta’s The Joys of Motherhood is a poignant exploration of the emotional and social consequences of motherhood in traditional Nigerian society. Through the life of Nnu Ego, a woman who devotes her entire existence to her children, Emecheta highlights the intense pressures placed on women to fulfill their roles as mothers, a role defined by cultural and patriarchal expectations. Set in colonial Nigeria, the novel explores how societal conditioning limits women’s agency, confining them to lives of sacrifice and emotional neglect. By applying feminist theory to Nnu Ego’s experiences, the novel questions the value society places on motherhood and challenges the notion that women’s fulfillment is solely linked to their roles within the family.
- Q) The basic narrative lends itself toward neo-feminism. The main female characters struggle to shed the conditioning that forces them to act out roles that bring little fulfillment. With reference to this, study The Joys of Motherhood by applying a feminist theory.
Answer:
The novel The Joys of Motherhood by Buchi Emecheta offers a powerful narrative that aligns with neo-feminist concerns, particularly the ways in which women struggle to shed the societal conditioning that forces them into roles that bring little fulfillment. Through the central character of Nnu Ego, Emecheta critiques traditional gender roles, the patriarchal structures that uphold them, and the emotional and physical tolls women endure under these expectations. By applying feminist theory to the novel, we can better understand how female characters are trapped by cultural norms and how they attempt to break free from them.
Gender Roles and Cultural Conditioning
In traditional Igbo society, where the novel is set, a woman's worth is closely tied to her ability to bear children, especially male children. From childhood, girls are taught that their future lies in becoming wives and mothers. This cultural belief is deeply rooted and rarely questioned. Nnu Ego, the central character, internalizes these expectations. She believes that her happiness and purpose will only be fulfilled through marriage and motherhood. When she fails to conceive in her first marriage, she is returned to her father’s home in shame, as if her inability to give birth is a personal failure rather than a health issue or something beyond her control. This point reflects feminist concerns about how patriarchal cultures define women based on their roles within the family and their biological functions. Women are not valued for their personalities, intelligence, or dreams, but for how well they can serve as wives and mothers.
Patriarchy and Emotional Sacrifice
Nnu Ego’s second marriage to Nnaife highlights how patriarchy traps women in emotional, physical, and economic servitude. Although she bears several children for him, her life is filled with hardship, sacrifice, and emotional neglect. Nnaife makes no effort to understand her struggles, and when he takes a second wife, Nnu Ego is expected to accept it without complaint. She shoulders all responsibilities for childcare and household management, often going hungry to feed her children. Despite these efforts, she receives little to no appreciation. Feminist theory examines how patriarchy takes women’s labor for granted and silences their voices within the home. Women are expected to give up everything for the family and find joy in it, even when their own needs remain unmet. This emotional sacrifice becomes invisible under the label of “a mother’s duty.”
The False Promise of Motherhood:
Throughout the novel, Nnu Ego strongly believes that bearing and raising children will bring her lasting happiness and respect. She sees her children as a source of pride and security in her old age. This belief drives her to work tirelessly and suffer silently. Yet, by the end of the story, her sons are distant and concerned only with their own lives. They leave her alone, and she dies in isolation.
“Every morning neighbours could hear her calling: ‘Oshia, Adim, twins, wake up and let us go to the waterside!’... She would count her money, put aside her little profits for the food bill and go to sleep. The same pattern repeated each day.”
This narrative challenges the common belief that motherhood is the ultimate and most joyful role for a woman. Emecheta uses Nnu Ego’s life to question this ideal. Feminist thought supports the idea that motherhood should be a choice, not a forced expectation. When society pushes women to believe that motherhood is the only path to fulfillment, it ignores the real emotional and physical burdens mothers carry. Nnu Ego’s tragic ending reveals how these romanticized ideas can lead to deep loneliness and disappointment.
The Burden of Economic Dependence & Independence:
Women in The Joys of Motherhood are economically dependent on their husbands or sons. Nnu Ego's lack of formal education and limited opportunities means that she must rely on petty trading to feed her large family. Although she works long hours selling food items on the streets of Lagos, she never gains any financial security. Her money is spent immediately on school fees, food, and healthcare. Nnaife contributes little and often spends time drinking or being absent. This economic dependency keeps women trapped and powerless. Feminist analysis explains that patriarchy and capitalism work together to exploit women's labor while denying them control over resources. When women are not allowed to earn or keep their own money, they have no freedom to leave unhappy marriages or make decisions for themselves. Nnu Ego’s life is an example of how economic vulnerability can deepen gender inequality.
Double Oppression under Colonialism
Emecheta also shows how colonialism adds another layer of oppression for women. Under British colonial rule, the traditional Igbo systems of justice, community, and gender balance are disrupted. The men in the novel, like Nnaife, lose their traditional roles as providers and leaders. Rather than challenging colonial power, they assert control over their wives in the home. This makes life even harder for women like Nnu Ego, who are expected to obey their husbands while dealing with the pressure of surviving in a foreign, urban setting like Lagos. Postcolonial feminist theory explains how colonialism often made patriarchy more severe in colonized societies. European systems brought new laws, religions, and moral standards that further controlled women’s bodies and choices. In this way, Nnu Ego is not only a victim of male dominance in her culture but also of the larger forces of colonial rule that reshaped her society without considering women’s voices or needs.
Women Who Challenge the System:
One of the most important feminist moments in the novel is found in the character of Adaku, Nnu Ego’s co-wife. Unlike Nnu Ego, Adaku refuses to accept a life of struggle and disrespect. When she realizes that having daughters and not sons means she will never be respected in the household, she makes a bold decision to leave Nnaife. She chooses to start her own business and live independently with her daughters. Adaku believes that financial independence is more important than being a submissive wife.
“By the time Adaku had used her share of Nnaife’s money to establish herself at Zabo market, Nnu Ego knew she could delay her journey home no longer.”
Her actions represent a break from tradition and a move toward modern, empowered womanhood. Neo-feminist ideas often support this kind of self-determined choice, where women step outside traditional roles and demand respect on their own terms. Adaku’s character shows that even in a deeply patriarchal society, there are women who are brave enough to challenge the rules and rewrite their futures.
Role of Education in Empowerment
Adaku’s decision to educate her daughters marks an important turning point in the novel. She understands that education is a key to freedom and a better life. Nnu Ego, on the other hand, spends her entire life trying to educate her sons, believing they will care for her in the future. But her sons eventually forget her. This contrast shows how education can be used not just to support traditional male success, but to empower girls and women to live independently. Feminist theory sees education as one of the most powerful tools for challenging patriarchy. Educated women are more likely to demand equal rights, make informed decisions, and raise the next generation with awareness. Adaku’s choice to educate her daughters instead of marrying them off early is a quiet but powerful act of feminist resistance.
Female Solidarity and Support Systems
In urban Lagos, the women of the Ibuza community create a support network for themselves. They help each other through childbirth, sickness, financial hardship, and emotional stress. These women share resources, advice, and emotional comfort in the absence of strong male support. This kind of female solidarity becomes a survival strategy in a world that offers them little else. Feminist thinkers believe that such sisterhood is a powerful way for women to gain strength. When women come together and support one another, they are able to resist oppression in small but meaningful ways. Emecheta presents these communal bonds as essential to women’s lives, showing that although they may not have much power individually, their shared experiences create a sense of belonging and resilience.
Women Who Uphold Patriarchy
The novel also presents women who support and reinforce patriarchal values. Characters like Adankwo, a senior wife in the family, criticize Adaku for stepping out of traditional roles. She believes a woman’s duty is to serve her husband and bear sons, even if it means suffering. Another character, Agunwa, looks down upon Ona, a strong-willed woman who chooses not to marry and refuses to let a man control her. These women show how patriarchy continues not only through men but also through the beliefs and actions of other women. Feminist theory recognizes this as internalized patriarchy. Sometimes, women are so deeply conditioned by societal norms that they begin to enforce those same norms on others. These characters remind readers that change can only come when both men and women challenge unjust traditions.
Sexual Objectification and Polygamy
In the polygamous system shown in the novel, women are often treated as property. Men like Agbadi and Nnaife take multiple wives without giving them equal respect or attention. The women are valued mainly for their ability to bear children and satisfy male desires. Nnu Ego experiences this when she is married off like an object and later expected to quietly accept her husband taking another wife. The emotional pain and jealousy she feels are ignored because society sees polygamy as normal. Feminist thinkers highlight how such systems reduce women to their bodies and roles, denying them emotional complexity and individual worth. Polygamy in the novel is not about love or partnership but control and possession. This leads to feelings of bitterness, competition, and sorrow among the wives, instead of mutual support and equality.
Final Message of the Novel:
By the end of the novel, Nnu Ego’s life story delivers a powerful message. She has followed all the rules society gave her. She has been a devoted wife, a caring mother, and a hardworking woman. She has suffered and sacrificed everything for her children. Yet, she dies alone and unappreciated. This ending forces readers to question the systems and values that define a “good woman.”
“God, when will you create a woman
who will be fulfilled in herself,
a full human being, not anybody’s appendage?”
she prayed desperately."
Emecheta does not completely reject motherhood. Instead, she asks readers to rethink how society treats mothers and what it truly means to be a fulfilled woman. Feminist theory supports this view by asking society to value women not just as mothers or wives but as human beings with dreams, desires, and dignity. Nnu Ego’s story encourages future generations of women to find their own paths and not let others define their worth.
- Q) Nnu Ego dies, at the end of the story, a lonely death “with no child to hold her hand and no friend to talk to her. She had never really made many friends, so busy had she been building up her joys as a mother” justify this statement by giving illustrations from the novel.
Nnu Ego’s lonely death at the end of The Joys of Motherhood is a poignant reflection of her life, shaped by societal expectations and the ideals of motherhood that left her isolated and emotionally abandoned. She dies “with no child to hold her hand and no friend to talk to her,” a stark image that encapsulates the tragic consequences of her complete devotion to the role of mother, a role defined by patriarchal beliefs and cultural myths. This statement is not just a summary of her end but a powerful comment on the cost of unconditional maternal sacrifice and the unrealistic expectations placed on women. Nnu Ego’s tragic end serves as a critique of the institution of motherhood, which demands selflessness but provides no reciprocal care for women when they are no longer seen as valuable.
Nnu Ego’s Early Life and the Imposition of Patriarchal Values
Nnu Ego’s journey into motherhood is deeply rooted in the patriarchal values of her society, which dictate that a woman’s worth is tied to her ability to bear children. From the beginning of the novel, she is made to understand that her value as a woman lies solely in her role as a mother. Her first marriage, in which she fails to conceive, brings shame not only to herself but also to her family. Nnu Ego’s inability to bear children results in her social rejection, as she feels like a failure in the eyes of her husband, society, and even her own family.
In her second marriage to Nnaife, Nnu Ego’s desire to prove her worth and secure her place in society drives her to accept a man she does not love. She marries him primarily for the possibility of children, believing that motherhood is her only path to fulfillment. As Himakshi Kashyap points out, women like Nnu Ego are seen through the lens of “reproductive power,” where their identity is defined not by their individuality but by their ability to produce offspring. This expectation forces Nnu Ego into a life where her desires are secondary to the societal pressures placed upon her to become a mother.
The Illusion of Joy in Motherhood:
Once Nnu Ego becomes a mother, she invests her entire being into raising her children, particularly her sons. She spends long hours in the markets, selling firewood and cigarettes, hoping that the sacrifices she makes will eventually lead to rewards in the form of respect, loyalty, and care from her children. She believes that her efforts will be repaid when she grows old, as her sons will take care of her in her declining years. This belief is rooted in the traditional Igbo expectation that children, especially sons, owe their parents care and respect in their old age.
But Nnu Ego’s devotion does not bring the rewards she anticipates. Despite her sacrifices, her children—particularly her sons—abandon her when they have the chance. Oshia, the son she placed her hopes on, moves to the United States and fails to communicate with her. Adim follows suit and moves to Canada. They do not send money, nor do they ever visit. Their abandonment represents a profound betrayal, shattering the traditional belief that children will care for their mothers as they age.
The novel’s title, The Joys of Motherhood, is a deliberate irony. Emecheta uses it to critique the idealized vision of motherhood as a fulfilling and joyful experience. For Nnu Ego, motherhood is a burden rather than a blessing. Her life is consumed by the expectations of her children’s success, yet they remain emotionally distant and disconnected from her. As Marie A. Umeh notes, Nnu Ego’s sacrifices, though meant to forge a bond of love and loyalty, ultimately prove futile, as “children do not always maintain strong and loving ties with their mothers.”
The Betrayal by Her Children and Emotional Isolation:
One of the most heartbreaking aspects of Nnu Ego’s life is the emotional abandonment she faces in her later years. Her children, particularly the sons she sacrificed so much for, are no longer part of her life. Despite all her efforts to raise them with love and care, they leave her to live their lives in the West, far removed from their mother’s world. This abandonment is not only an emotional blow to Nnu Ego but also a direct challenge to the societal expectations that children, especially sons, are obligated to care for their parents in their old age.
“He is no longer my son… Out of my house!” Nnaife shouted. Nnu Ego watched her son leave for the United States with dry eyes and thought, “She was not destined to be such a mother.”
Nnu Ego’s emotional isolation is compounded by the fact that her daughters, who are still physically present, are not seen as suitable caregivers in a patriarchal society. It is the sons who are expected to fulfill this duty, and when they fail to do so, Nnu Ego is left with no one to support her in her time of need. This gender bias, deeply ingrained in Igbo society, places the responsibility of caring for the family’s honor solely on the sons. Yet, as the novel demonstrates, these very sons—who were the object of Nnu Ego’s sacrifices—turn their backs on her when she needs them the most.
The Lack of Friendships and Personal Fulfillment
The statement that Nnu Ego “had never really made many friends” is critical to understanding her ultimate loneliness. Throughout her life, Nnu Ego is so absorbed in her role as a mother that she neglects the possibility of forming meaningful relationships with other women or creating a support system. She devotes herself entirely to her children and husband, but in doing so, she denies herself the joy of friendship and personal connection. In a world where women are taught to find fulfillment solely in motherhood, Nnu Ego’s lack of friendships reflects a broader societal issue. As Kashyap observes, women like Nnu Ego are not allowed the opportunity to explore their own desires or to establish their own identities apart from their familial roles.
By the time she reaches the end of her life, Nnu Ego is isolated not only from her children but also from any emotional support network. She has no friends to turn to, no confidantes to share her grief with, and no one to hold her hand in her final moments. This isolation highlights the cost of living a life entirely devoted to others.
The Symbolic Meaning of Her Death
Nnu Ego’s lonely death, far from her children and devoid of the care she had longed for, is a tragic culmination of her life’s sacrifices. Her death symbolizes the futility of a life spent in service to others without any recognition or support. Nnu Ego’s life and death expose the false promises made by society about the rewards of motherhood. The idealized image of the selfless, devoted mother is ultimately hollow, as women like Nnu Ego are left to suffer in silence once they no longer fulfill their expected roles.
As Umeh writes, Nnu Ego “has very little to show for her protracted years of maternal servitude.” She dies not because she failed as a mother but because the patriarchal system that glorified her role also failed to support her when she needed it the most. The society that exalted her sacrifices during her child-rearing years abandoned her when she grew old, revealing the inherent contradiction at the heart of the institution of motherhood.
Nnu Ego’s death serves as a powerful critique of the patriarchal structures that define women’s roles and expectations. It challenges the myth of the “joys of motherhood” and exposes the emotional and social costs of blindly adhering to a system that demands self-denial and submission. Nnu Ego’s lonely death is a call to reexamine the true meaning of motherhood and the price that women like her pay for fulfilling societal expectations.
Conclusion:
In conclusion, The Joys of Motherhood is a powerful critique of the unrealistic expectations placed on women in patriarchal societies, particularly the idea that motherhood is the ultimate source of fulfillment and identity for women. Through Nnu Ego’s tragic journey, Emecheta underscores the emotional, physical, and economic sacrifices women make in the name of motherhood, and how these sacrifices often go unrecognized or unrewarded. The novel serves as a call for a broader understanding of women’s roles and highlights the importance of valuing women for their individuality, not just as mothers or wives. Ultimately, it challenges the traditional notion of motherhood as the sole path to a woman’s happiness, urging society to rethink its expectations and appreciate women’s contributions beyond their reproductive roles.
Kashyap, Himakshi. "Tracing Female Subversion in Buchi Emecheta’s The Joys of Motherhood." International Journal of English Literature and Social Sciences, vol. 6, no. 5, 2021, pp. 342–345. IJELS, https://ijels.com/detail/tracing-female-subversion-in-buchi-emecheta-s-the-joys-of-motherhood-reading-motherhood-as-a-patriarchal-institution/. Accessed 08 Feb. 2025.
Umeh, Marie A. "A Comparative Study of the Idea of Motherhood in Two Third World Novels." CLA Journal, vol. 31, no. 1, 1987, pp. 31–43. JSTOR, https://www.jstor.org/stable/44325604. Accessed 08 Feb. 2025.
Vallath, Dr. Kalyani. "The Joys of Motherhood - NET | SET | African Literature Series Part XIX." YouTube, uploaded by Vallath TES, 1 Feb. 2025, https://youtu.be/XJZ5V44bfB4. Accessed 08 Feb. 2025.
.jpg)
No comments:
Post a Comment